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In Modern, you don't play Lightning Strike because you can always play Lightning Bolt; same thing with Legacy. However, in Standard, you play Lightning Strike because you don't have Lightning Bolt and you play Touch of the Void because you don't have Lightning Strike. So, while two- cmc mana dorks and three- cmc Rampant Growths may seem lacking compared to the most powerful versions ever printed, these cards will still see some amount of play in Standard just because they are the best option available. Regardless, today we are going to look at three decks I'm super excited to playing as soon as Battle for Zendikar is legal. The first is an update to Mardu Aristocrats, the deck I've gotten the most requests for since playing it on Budget Magic a couple months ago. The second is a control deck heavily featuring the new Awaken mechanic from Battle for Zendikar, and the third is a different take on Eldrazi which you can put together for less than $4. Anyway, let's talk about some decks! Over the past few months, Mardu Aristocrats has been the deck I've been asked to update the most. While I didn't think Magic Origins added enough to make it worth the effort, Battle for Zendikar is a different story. If I could have picked one card out of Modern to add to Mardu Aristocrats, it would have been Blood Artist. While Outpost Siege did an admirable job filling the role, it also costs four mana. As a result, the four- drop slot in the original build was a bit overloaded which in turn lead to some clunky draws. While we didn't get Blood Artist in Battle for Zendikar, we did get an (almost) functional reprint in Zulaport Cutthroat. I'm not sure it is possible to overstate just how much better Zulaport Cutthroat makes Mardu Aristocrats. It comes down on turn two which allows us to curve into our sacrifice outlets on turns three and four. It gains us life along with draining our opponent, which helps us live long enough to combo off. And unlike Blood Artist, it can actually attack for damage in a pinch. As I hinted at a moment ago, the biggest issue with the old build is that Butcher of the Horde and Outpost Siege (our combo piece and main enabler) were competing for the four- drop slot; we were often forced to choose either/or. Now this problem is gone. With the Battle for Zendikar update, we have the ability to curve Bloodsoaked Champion into Zulaport Cutthroat into Flamewake Phoenix into Butcher of the Horde. Saffron updates Mardu Aristocrats, along with brewing up Awaken Control and Eldrazi Aggro. Eternal Spirit is a leading retailer of New Age products & services in Adelaide, supplying Crystals, Crystal Jewellery, Feng Shui, Tarot Cards, Salt Lamps, Singing Bowls & Spiritual Books. Established in 1997, we have. Uninhibited this gives us two damage on turn two, five more (7 total) on turn three, into ten damage on turn four (for a total of 1. Better yet, most of this damage is evasive. With this curve we can consistently kill on turn five through any number of ground blockers. The new additions go far beyond our Blood Artist, we also get a bunch of new sacrifice outlets that drastically improve our deck. $ 0. Nantuko Husk technically entered the format a couple months ago in Magic Origins, but his appearance in Mardu Aristocrats should not be underestimated. Apart from our Blood Artist costing four mana, another huge problem with the old build was the lack of a Cartel Aristocrat. In fact, before Magic Origins, Butcher of the Horde was the only free, repeatable sacrifice outlet in Standard, which left us playing questionable options like Tymaret, the Murder King. Maitreya of the Mission of Maitreya (not related to other Maitreya groups) has unified the religions of the world, fulfilled the prophecies, and brought the final Revelation of God to humanity. Create your own Darkly Gothic Poem with the Goth-O-Matic Poetry Generator. 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Being able to unconditionally kill any creature is super powerful, but most decks shy away from Bone Splinters because the cost of sacrificing a creature is so high. In our deck we want to be sacrificing our creatures, so this "downside" is actually a benefit. The same goes for Altar's Reap. Night's Whisper sees play as far back as Modern and in a deck that actively wants to sacrifice its things, Altar's Reap is just a better version since we don't lose any life. Finally, because our combo is creature- based, we get to play a card that is quickly becoming one of my favorites: $ 0. Having a Blood Artist in Zulaport Cutthroat means we can play a combo style similar to the one in last week's Budget Magic featuring Rally Vampires in Modern. While we still have a Plan A of beating down with hasty, evasive threats and sacrificing our board for the win, playing Rally the Ancestors gives us a legitimate Plan B — a plan where we don't even need to attack to drain our opponent out of the game. Instead, we can sacrifice a bunch of creatures (hopefully including a Zulaport Cutthroat or two), cast Rally the Ancestors on our opponent's end step, sac everything again in response to the "exile" trigger on our upkeep, and (if necessary) Rally the Ancestors again a second time during our main phase which should seal the deal. While it is impossible to say just how well (or poor) Mardu Aristocrats is positioned in Standard (considering we really don't have any idea what the format will look like in a month), the good news is there is only one hate card in the format that sees any play (Anafenza, the Foremost) and it dies to both Bone Splinters and Mardu Charm. Otherwise, we are looking to dodge fringe sideboard cards like Cranial Archive and that's about it. The normal "trumps" in Standard (removal, big ground blockers like Siege Rhino and even counterspells) really don't interact all that well this build, so it seems like it should have a shot at being competitive in the new format. Manabases in Standard are in a really interesting place — a place that adds a lot of tension to deck building. Many of the most powerful cards in Standard are the wedge cards from Khans block (Siege Rhino, Crackling Doom, Anafenza, the Foremost, etc) which naturally push decks in the directly of wedge colors. However, because both fetches and slowlands are allied colored, you can build a Modern- level manabase, but only for Shards. As a result, deckbuilders are forced to make a choice: do you want to play the best cards in Standard, or do you want to have the best manabase in Standard — you can't have both. $ 0. Esper Awaken Control chooses the latter. Being able to play eight on- color fetches and eight on- color slowlands means the manabase is pristine. Not only does it allow us to play any blue, white or black cards we want (going double- black for Ruinous Path into double- white for Gideon, Ally of Zendikar into double- blue for Dig Through Time shouldn't be a problem), but it also lets us play some of the super powerful colorless lands we have available in the format (e. Blighted Cataract). My initial idea for the deck was to be creature- free and depend completely on Awaken cards and a couple of planeswalkers to close out the game. However, I realized that good, unconditional, early- game removal is severely lacking in the format. We lose not only Bile Blight and Last Breath, but Ultimate Price gets worse since the mono- colored theme of Theros is replaced by the devoid- centric Battle for Zendikar. Enter Fathom Feeder. In the early game, the Eldrazi Drone is an unconditional removal spell for any ground creature in the format, while in the late game it can provide an insurmountable amount of card advantage. Once it became clear that we needed four copies of Fathom Feeder, it was only natural that we would run Jace, Vryn's Prodigy as well, who despite my initial skepticism, has proven to be one of the most powerful cards in Standard. $ 0. Awaken, as a mechanic, seems tragically underrated. Although not exciting, all of these cards are playable without their awaken ability as a sorcery speed Hero's Downfall, a Cancel and an End Hostilities. We have no problem firing these off on turn three (or five, for Planar Outburst). However, because of their awaken ability, they are close to auto- wins in late game top deck wars. Not only do they all answer any one of our opponent's top decks, but they come along with a reasonably sized, hasty body to help us close out the game. Plus, since our mana is so good, we get to run four copies of Shambling Vent, whose lifelink ability should be able to pull us out of danger — especially when it is awoken with three or four +1/+1 counters (just remember you'll still need to pay the activation cost to give it lifelink). $ 0. The rest of the deck is, more or less, a typical Esper Control build. We get Dig Through Time to hold everything together, Clash of Will as a scaleable counter and Ojutai's Command to gain us some life, counter a creature spell, or most importantly return a Fathom Feeder or Jace, Vryn's Prodigy to the battlefield in the late game. Ob Nixilis Reignited, on the other hand, is purely speculative. It seems like a great card to find with Dig Through Time in the late game where it can either kill a problematic creature or, if the battlefield is clean, put the game out of reach with his Phyrexian Arena +1. 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It was released by New Line Cinema on January 1. The film is both a sequel and a reboot to the previous movies, as the original Sawyer family and apparently the Leatherface character died in the previous film. The film stars Kate Hodge, Ken Foree, William Butler, and a then- unknown. Viggo Mortensen. At first, New Line Cinema intended to produce the film as the first of several sequels in the series. However, the film did not prove a financial success, although Jeff Burr did receive a nomination for the International Fantasy Film Award at the Fantasporto film festival in 1. Leatherface gained a certain amount of notoriety prior to release[citation needed] due to a battle between New Line Cinema and the. MPAA, which initially rated the film an X because of its graphic violence. It was the final film to receive this rating before the MPAA replaced X with NC- 1. The studio eventually relented, and trimmed the more graphic elements, however, in 2. VHS and DVD formats. The film was rejected by the British Board of Film Classification upon submission for theatrical release in 1. Texas Chainsaw III [hide] *1 Plot. Narration. On August 1. Sally Hardesty, her invalid brother Franklin, and their friends fell afoul of a bizarre, cannibalistic clan of serial predators. Ms. Hardesty was the sole survivor of that night of terror. She died in a private health care facility in 1. A single member of the murderous "family" lived to see trial. The prosecution recorded his name as W. E. Sawyer. He died in the gas chamber in 1. The jurors concluded that "Leatherface", presumed to be an unapprehended killer, was in fact an alternate personality of Sawyer's, activated whenever he donned a crude mask made of human flesh. If there was no Leatherface in reality, then Sally Hardesty may at last rest in peace.. If there actually was a Leatherface, he remains at large, and the so- called "Texas Chainsaw Massacre" . The film begins with Leatherface (R. A. Mihailoff) bludgeoning a young woman, Gina, to death with a sledgehammer before beginning the process of cutting off her face in order to make it into a mask. Gina's sister, Sara (Toni Hudson) watches from a nearby window. Leatherface hears Sara outside, and after she flees, he briefly checks outside before going back to work. Some time later, Michelle (Kate Hodge) and her boyfriend Ryan (William Butler), both traveling through Texas, pass through a security checkpoint near the excavation of a large number of butchered bodies and reach the Last Chance Gas Station. At the station, they meet a hitchhiking cowboy named Tex (Viggo Mortensen) and the station's perverted owner Alfredo (Tom Everett). Tex shows Ryan a route on the map that can get them to a town. A fight soon breaks out between Tex and Alfredo when Tex finds the latter spying on Michelle while she uses the station restroom. As Michelle and Ryan flee from the station in their car, they witness Alfredo apparently killing Tex with a shotgun. As night falls, Ryan and Michelle, having taken the route Tex recommended, become lost. As they begin to bicker, a large truck appears and the driver attacks them. Ryan pulls over when the unseen driver throws a dead coyote at their windshield. As Ryan changes the car's flat tire, Michelle hears a noise, and Leatherface ambushes the two of them. They climb into the car as Leatherface begins hacking at it with his chainsaw, before bumping Leatherface with the vehicle and driving off. After their escape from Leatherface, Michelle and Ryan - as well as another driver, a survivalist named Benny (Ken Foree) - crash when a bloodied Tex leaps in front of the car. As Benny tends to Michelle, Ryan explains the situation to him, showing him the damage which Leatherface has caused to their car, before Michelle awakens. They decide to find Tex, and on the way, Benny discovers a hook- handed man named Tinker (Joe Unger), who offers his assistance in setting downroad flares. Benny soon realizes Tinker's real intentions after he finds a damaged chainsaw in the back of his truck. Benny then grabs an automatic rifle from his overturned jeep, retreats, and encounters Leatherface when Tinker attempts to ram him with his truck. As Benny fights Leatherface, Sara, who had earlier escaped Leatherface, saves Benny from death by luring Leatherface away before re- joining Benny. After questioning Sara, Benny learns that her entire family has been killed. She tells him that she has failed to escape as Leatherface and his family have been watching the roads. Benny hears Michelle and Ryan calling for him and leaves Sara; Leatherface kills her a short time later. After killing Sara, Leatherface stalks Ryan and Michelle, mutilating and capturing Ryan when he gets caught in a bear trap. After Ryan tells her to run, Michelle locates a house and finds the Little Girl (Jennifer Banko) inside who has a room filled with the remains of various animals. The girl stabs Michelle with a knife before Tex enters the room and restrains her, bringing her into the kitchen and nailing her to a chair, introducing her to "Grandpa", a withered corpse to whom the family feeds blood. After Anne (Miriam Byrd- Nethery), an elderly woman appears, Michelle begs her for help, but is ignored. Tinker appears in the doorway, dragging the badly injured Ryan, whom he and Tex proceed to suspend upside- down with a pair of meat- hooks. Michelle begins screaming uncontrollably, forcing Tex to gag her by forcing a ball of leather into her mouth and securing it with a strip of tape. When Leatherface returns home, Tex gives him a large golden chainsaw with the phrase "The Saw Is Family" engraved on it, a present made by Tinker. Outside the family home, Benny finds and attempts to interrogate Alfredo as he disposes of human bodies in a bag, but he is unsuccessful, eventually knocking Alfredo into the bog and leaving him to drown. As the family prepare for dinner in the kitchen, the little girl kills Ryan with a sledgehammer- swinging device that Tinker has made, and Leatherface prepares to kill Michelle as well. The noise of Leatherface's chainsaw attracts Benny, who opens fire on the house with his rifle, killing Anne, blowing off two fingers on Tinker's hand along with his ear, and partially destroying "Grandpa"'s body. The gunfire knocks Leatherface to the floor, allowing Michelle to tear herself from the chair she is nailed to, and to stab Tex before joining Benny outside. When Leatherface drives towards them in Tinker's truck, Benny tells Michelle to run to the woods. He tries to shoot Leatherface, but realizes he has run out of ammunition as the truck hits him. Benny is stunned, and Leatherface exits the truck, grabbing his chainsaw before going after Michelle. As Leatherface stalks Michelle, Tex and a recovered Benny begin fighting, a battle which ends with Benny soaking Tex in fuel and burning him with a lighter. Benny rushes to Michelle's aid, stopping Leatherface from murdering her, and knocking the killer into the bog. The pair begin fighting, and Benny appears to die when Leatherface forces his head into the blade of the chainsaw. He then turns his attention to Michelle, who grabbing a nearby rock, beats him over the head with it, leaving him unconscious under the water. As dawn breaks, Michelle reaches the main road and rests on an abandoned tire, before Alfredo's pickup truck, driven by Benny, stops in front of her. As Benny helps her into the truck, Alfredo appears and attacks him from behind with a sledgehammer. Benny avoids Alfredo's attacks, and Michelle shoots Alfredo in the chest with a shotgun before the pair drive away, unaware that Leatherface is revving his chainsaw some distance away. In an alternate ending, Leatherface kills Benny in the bog. As Leatherface submerges himself to sneak up on Michelle, Tex is revealed to have survived the flames, albeit terribly charred. Michelle manages to kill Tex by pushing him into a spike trap. Shortly after, Leatherface attacks Michelle again, and she kills him by bashing his head with a large rock. She then sings a prayer before resting for the night. The next day Michelle is seen stumbling onto a dirt road where a police car is driving past. The car stops to reveal that the Little Girl was retrieved from the house. The girl taunts Michelle from the backseat with her skeleton doll before the car drives off, and Michelle is left kneeling on the ground, laughing in hysterics as she realizes that the sadistic Sawyer clan will never really die off. Leatherface, is the second sequel in The Texas Chainsaw Massacre film series. The film was made as a reboot and a sequel, so it can be taken either as a direct sequel or possibly taking place in its own continuity, though several references are made to the previous two films including; Leatherface having a knee brace from his chainsaw accident at the climax of the first film. Brother Alfredo owning a gas station and truck labeled "Last Chance Gas", the name of fellow brother Drayton's station. Drayton Sawyer's quote "The saw is family" labeled on Leatherface's new chainsaw. Grandpa appears only as a decayed corpse, due to his death from the grenade explosion at the end of the last film that also killed Drayton. The family's last name remaining Sawyer from the previous films. |
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December 2016
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