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Descargar: The Hobbit: An Unexpected Journey (2012) - BluRay 720p versión original, subtitulada, vo, vose, torrent, bitTorrent, eMule, eLink, descarga directa. Subtitrari in limba romana pentru filmul The Hobbit: An Unexpected Journey aparut in 2012 de genul aventura, fantezie din distributie facand parte Aidan Turner. Watch Free Movies and TVShows. Category: Movie, Title: The Hobbit: An Unexpected Journey - 2012 year.A reluctant hobbit, Bilbo Baggins, sets out to the Lonely. The Hobbit: An Unexpected Journey (2. Torrents. Bilbo Baggins, a hobbit enjoying his quiet life, is swept into an epic quest by Gandalf the Grey and thirteen dwarves who seek to reclaim their mountain home from Smaug, the dragon. The Reviews for The Hobbit: An Unexpected Journey (2012) 1080p An Unexpected Disappointment.Genres: Adventure, Fantasy. Directors: Peter Jackson, Victoria Sullivan. Cast: Barry Humphries, Ian Holm, Elijah Wood, Cate Blanchett, Christopher Lee, Orlando Bloom, Ian Mc. Kellen, Hugo Weaving, Andy Serkis, Martin Freeman. Bilbo Baggins, a hobbit enjoying his quiet life, is swept into an epic quest by Gandalf the Grey and thirteen dwarves who seek to reclaim their mountain home from. Hobbit: Pustkowie Smauga 3D - The Hobbit: The Desolation of Smaug *2013* (Extended 2-Disc Edition) [mini-HD 1080p 3D Half Over-Under AC3 BluRay x264-SONDA] [Lektor PL. Watch The Hobbit An Unexpected Journey 2012 Extended Cut HDRip X264 online. There is nothing to complain about their way of flying or grabbing objects and that is really all the behaviour we see of them. Edit: Larry Dixon who worked with his. متوافقة مع نسخة: The.Hobbit.An.Unexpected.Journey.3D.2012.EXTENDED.1080p.BluRay.Half-SBS.DTS.x264-PublicHD. An Unexpected Journey (2. YIFY Torrent for 1. The Reviews for The Hobbit: An Unexpected Journey (2. An Unexpected Disappointment. Reviewed bygorbadoc. Vote: 6/1. 0I was convinced the (many) criticisms I read beforehand were exaggerated and wouldn't bother me. To my surprise, quite some criticisms seemed justified in the end .. THE SCRIPT***. ADDITIONS: On paper, the additions looked like a great way to create added value. However, while I understand why they included them, they all feel out of place. Opening scene: Ian Holm just looks too dissimilar from his appearance in FOTR (especially his haircut), which is really distracting. The frame story doesn't blend in naturally and the history of Erebor has too much to show in too little time. Radagast: He appears as suddenly as he disappears. His scene in Dol Guldur really threw me out of the movie. The White Council: I know the screenwriters want to underline the growing dark powers (hence the - preposterous - finding of the Morgul blade), but the empty talk about things of which we all know how they've played out in the LOTR films isn't convincing at all. Azog: An appallingly one- dimensional character, who feels most out of place (the fact that he looks like a creature from a cheap horror movie also doesn't help ..). His scenes have a strange "un- Tolkien" vibe, particularly the battle of Azanulbizar (the worst scene of the movie), which doesn't feel like a fierce and thrilling battle at all. FROM THE BOOK: The episodic structure prevents the film from having a fluid narrative and squeezes the tension out of every new dangerous situation: the events just leave you cold. In the book, we experience everything through Bilbo's eyes, which creates a strong connection between the reader and the main part. This is missing from the movie: Bilbo even seemed to have more or less disappeared between the troll encounter and the stone giants' battle. His homesickness, his doubts, all of this isn't really developed in the script. The emphasis on Thorin is a good thing, but also not perfect: during the enclosure by the Wargs, I didn't buy Thorin's charge towards Azog and especially Bilbo's sudden "action hero saves the day in the nick of time" intervention. The latter seemed like a very inappropriate way to illustrate Bilbo's courage. There were actually only two great scenes: Riddles in the Dark is amazing, but ironically, it also painfully shows how mediocre the rest of the movie actually is, because this is the only moment that comes close to the level of LOTR. Also, Bilbo's speech after they've escaped Goblin Town is a very welcome, for rare touching moment. THE PACING***. It's quite astonishing some people complain about the pacing, because the film was over before I knew it. In fact, I think the pacing is about just right and proved it would have been really difficult to adapt the book in just one fully- fledged movie. But since I didn't like the additions, I'm doubting whether a third film is necessary after all (but I suspend my judgment until 2. THE CINEMATOGRAPHY***. One of the biggest (unpleasant) surprises is the cinematographic style. I'm not talking about the bright colors or the digital images, but the (lack of physical) camera use. Whereas LOTR has stunning "real" camera movements and an extremely accomplished "handicraft" feel, AUJ often feels like a video game. The camera is flying and whirling so limitlessly that it just doesn't feel like an authentic movie anymore. This is particularly apparent during the Orc chase and above all the absurd Goblin Town escape. The CGI is perfect, but too much is just too much. THE MUSIC***. After my long list of complaints, I'm truly relieved to say there is at least one thing that unconditionally gets my support, which is the score. The people who unfairly label Howard Shore's work as a "re- hash of LOTR" obviously didn't pay full attention, because when you listen to the score multiple times (and I admit it also took me several spins to really appreciate it), you discover a new rich and diverse musical tapestry once again masterfully woven by Shore. OF COURSE you hear the same themes when EXACTLY THE SAME places are visited as in "The Fellowship of the Ring" .. If someone deserves credit for "The Hobbit", it's Shore: his music is in my view the only aspect of the movie on par with the level of LOTR. D & 4. 8 FPS***. The 3. D was good, no complaints about that. However, although I have no problems with watching movies in 3. D, I start questioning its necessity. I am bewildered many people claim that 4. TV- look" with "actors with clear make- up on a fake set". I didn't have that feeling at all, but on the other hand - and this was the most surprising - the difference with 2. THAT spectacular. After 3. 0 minutes, I even had to remind myself: "Oh, I'm watching 4. Yes, the images look very clear and it does smooth fast movements, but the latter (which is positive) only sticks out a couple of times (and no, the motion never comes across as "sped up", so I was never distracted by the higher frame rate). All in all, I consider 4. I didn't have the feeling I had witnessed a "revolutionary new cinema experience". CONCLUSION *****. I didn't expect (or want) a replica of LOTR, but while "The Hobbit" isn't a bad movie, it isn't good either. I'm still perplexed I don't feel any urge to go see it again, unlike the LOTR films. We can only hope that Jackson recovers in time to save the next two films from unnecessary additions, lack of focus on Bilbo and a video game feeling. Well, at least we have new brilliant music to listen to! An unexpected disappointment. Reviewed bymarkdroulston. Vote: 4/1. 0"All great stories deserve a little embellishment." So says Gandalf the Grey (Ian Mc. Kellen) in the most telling line in The Hobbit: An Unexpected Journey, Peter Jackson's return to the world of JRR Tolkien. It's a line that clearly outlines Jackson and his co- writers' intentions, yet it comes off as a veiled apology, as if the film- making team knew that what they have created is going to be problematic for die- hard Middle Earth fans. Sadly, Jackson's new film doesn't come close to silencing the skeptics like his Lord of the Rings films did, and is actually more ill- conceived than expected. Things that do work well for the most part in The Hobbit are sequences that come directly from the source novel. Iconic scenes, such as the arrival of the dwarfs at Bag End or the encounter with the trolls are handled pretty well, despite being padded out to unnecessary lengths with lame gags and pointless alteration of the original events in the book. Juggling such a massive primary cast is obviously a challenge, and as such the film's best moments involve only one or two characters, with Bilbo's (Martin Freeman) meeting of Gollum (Andy Serkis) and the finding of the ring being a particular stand- out sequence, the only one that seemed like it could have used more time. However, all of the good work that Jackson & Co do with the direct source material is swamped by the content they felt they had to develop themselves. The great achievement of the LOTR films is how they managed to distill the huge source novels to their most important story beats, only hinting at most of the wider story in a way that brought incredible richness to the world in which they take place. With The Hobbit though, Jackson only has a 3. I assume to parallel the first trilogy, is precisely why this first film doesn't work. The Hobbit should be allowed to stand alone as its own film, but it is structured in such a way, almost identically to the first LOTR entry The Fellowship of the Ring, that it's all but impossible not to compare them. As a side- effect, the much lighter tone will be jarring for a lot of established franchise fans, the very people the film seems to be primarily aimed at. The chase sequence in the goblin tunnels for example is little more than an updated version of the Moria scenes from LOTR. It's exciting enough, but much of the action feels in service of the film- making technology on display rather than the story, and as such none of the stakes of the earlier films are built here. Where the LOTR films had to keep moving at such a pace to fit everything in, The Hobbit dwells on unnecessary moments which had only the briefest of mentions in the novel to reach its 2 hour 4. Most damaging are the call backs linking the previous trilogy, setting up what is likely to be an almost completely new story bridge between the two trilogies in the third film due in 2. There is absolutely no reason for Frodo (Elijah Wood), Saruman (Christopher Lee), and Galadriel (Cate Blanchett) to appear in this story, yet here they are, taking us away from a perfectly good narrative about a quest to fight a dragon. It reeks of cynical franchise care, and arguably disrespectful to the carefully crafted world that Tolkien created. There's a good movie somewhere in The Hobbit, and had Jackson shown more restraint we might have seen it. The film could easily lose at least 4. LOTR. But that's not what this book is, and we're left with an uneasy balance - the lighter tone to distinguish this as a separate story but a strict adherence to the LOTR structure - but ultimately doesn't fulfill either side. Huge LOTR fan and very disappointed. Reviewed by. Eric. Vote: 1/1. 0Peter Jackson's return to the world of Tolkien is rather weak. At first I was against the idea of such a small book being made into a trilogy. I still am. Many say not to compare this film to the far superior "Lord of the Rings" trilogy. Well, it's hard not to considering Jackson has tried so hard to recreate the style of the original films because that's what the audience wants. But he fails big time. The bizarre, unfunny, slapstick humor is painful. This involves snot jokes, burping, poop hair, and lame one- liners. Don't give me the "it's based on a children's book" crap. Sure, the source material was written for children but I'm talking about the movie. Jameson First Shot - Short Film Competition. Please enjoy Jameson Irish Whiskey responsibly. Irish Distillers Limited - Registered in Ireland - Number 2. Registered office: Simmonscourt House, Simmonscourt Road, Ballsbridge, Dublin 4, Ireland. 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